Commotion reacts to a new doc about the festival. Plus watch Sarah McLachlan on Q.
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Hi, Art!

Sunday, September 21, 2025

Hi, Art!

Sunday, September 21, 2025

Hi, art lovers!

 
Sarah McLachlan, a woman with wavy shoulder-length blonde hair, holds an acoustic guitar and smiles broadly while standing behind a microphone. Audience members, bathed in blue spotlights, are blurry but visible behind her.

(Vivian Rashotte/CBC)

 
If there was ever a time to revisit the history of Lilith Fair, this would be it. That’s not a callback to last week’s newsletter, but yeah, you’re right — I totally mentioned it. Still, a few fun things have happened since then. CBC’s new feature doc about the festival — Lilith Fair: Building a Mystery — is now streaming on CBC Gem and YouTube, and after the film’s big-screen premiere at the Toronto International Film Festival, Q hosted a special sit-down with the mother of the movement herself, Sarah McLachlan. That episode aired Wednesday, and you can watch it here. On CBC Arts, our must-read feature of the week is an essay by the documentary’s director, Ally Pankiw. Find that article below. 

The other topic that’s been dominating our home page lately is the Polaris Music Prize. Yves Jarvis was declared this year’s champ for his album All Cylinders. Back in March, the Montreal musician was on Q to discuss the making of the record, which spans funk, jazz and psychedelic rock. Watch his Polaris performance (and all the highlights from the awards show) on CBC Music’s YouTube channel. This year marked the event’s 20th anniversary, and per Commotion, Polaris has evolved significantly in its two-decade history. Listen to that discussion.
 

Because we promised you eye candy ...

 
Photo of two cardboard cut-outs of human figures standing side by side against a black background. The figure at left is brown paper; the right is white paper.

Maya Fuhr

As a photographer, Maya Fuhr has worked with celebrities including Jennifer Lopez and Snoop Dogg, but for her latest art exhibition at Patel Brown Toronto (Idols of Absence), she’s more interested in the hype machine that fuels those glitzy editorial gigs. The show features images like this one (Desire Is Evident) — flipped cardboard cut-outs that reveal a sort of blueprint for glamour and star worship.
 
Rectangular white ceramic surface embellished with a design suggesting an abstracted human eye. An image appears where the pupil would be: an etching in a Renaissance style of a feminine human figure with arms outstretched.

Sam Duquette

Montreal's Artch festival returns Oct. 15 to 19 and puts a spotlight on emerging artists. Sam Duquette is part of this year’s class of rising stars. This laser-engraved ceramic work is titled Stellar Corona.
 
Sculpture of a fantasy creature with long and spindly spider-like legs. The legs are fibrous and appear to be made of plant material. The creature's small abdomen appears to be orange ceramic. It is installed on green grass. Shrubs appear behind it.

Eunice Luk

Critter on the loose! Just before the weekend, Eunice Luk installed a new show in Niagara-on-the-Lake as part of Ontario Culture Days. Small Things (That Run the World) can be found on the grounds of the Niagara Pumphouse Arts Centre.
 
Painting of a flying bat on an indigo background. The quality of the light and colour suggests a flash photograph.

Artwork: Laura Findlay; Photo: LF Documentation/Norberg Hall

Scree! I love a chance to feature Laura Findlay’s paintings. The Toronto-based artist has a solo show at Norberg Hall in Calgary. The Darkest Hour is on through Oct. 25. 
 
Abstract artwork hanging on a purple wall. The composition is dominated by a purple field of colour. A multicoloured squiggle fills the frame. The background is patterned with a textured arrangement of colourful swirls.

Artwork: Erika Germain; Photo: Latitude 53

Any Edmonton readers out there? This afternoon, the Art Gallery of Alberta is hosting Art Is for Everyone, and the event includes a pop-up market featuring artwork by local notables including Erika Germain. Pictured: I Will Continue to Try My Best.
 
 

You've got to see this

 
 
 
Archival photo of Paula Cole, a woman with dark long hair wearing a white tube top and dark pants, standing on stage facing an enormous crowd. The image was taken during a stop on the Lilith Fair tour in the 1990s.
Merri Cyr/CBC

A polite Canadian eff you to toxic ‘90s pop culture

 
Ally Pankiw, the director of Lilith Fair: Building a Mystery, is a ‘90s kid … and she’s spent most of her adult life fighting to unlearn what the decade taught her. It was an era of shock jocks and Kid Rock. And yet Lilith Fair emerged during the exact same period — “in all of its queer, radical, joyous, feminist, furious glory.” Making a film about its legacy has been a gift, Ally writes, and it comes at a crucial time.
 
In a still from a documentary about the Degrassi TV franchise, a woman wearing a navy blue and yellow Degrassi-branded hoodie sits in a bedroom with Degrassi posters all over the walls.
WildBrain

'This show helped raise me'

 
There’s a new documentary about Degrassi, and it couldn’t have happened without the fans.
 
Actor Hailey Gillis, a woman with long dark hair, sits in front of a large microphone and wears over-the-ear headphones.

Vivian Rashotte/CBC

 

Musical theatre as digital detox?

 
Hailey Gillis is appearing in a new Toronto production of Octet, a musical about a support group for screen addicts. 
 

Follow this artist

 
 
 
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Rashelle Campbell

@rashelle.ca
Photo of a rug in the shape of overlapping '60s style daisies in shades of pink, white and orange. In the lower fifth of the composition, a person's feet are visible. They wear bright yellow sneakers and puffy white pants.

Rashelle Campbell

What do you think of this rug by Rashelle? Like, I’m sure it’d really tie a room together, but is it an example of great design? In this video, Rashelle revealed her approach to critique: “I always ask myself when I look at other designs, Does it have the double-F? Is there a function and is there a feeling? And if it has both … then that's design.”
 

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I’m Leah Collins, senior writer at CBC Arts. Until next time!

 
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