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Hi, Art!

Sunday, January 12, 2025

Hi, Art!

Sunday, January 12, 2025

Hi, art lovers!

 
Still from the filming of North of North. Two people with camera equipment film a group of three performers. All stand on snowy ground at daytime.

(Jasper Savage/Netflix)

 
It’s “raunchy, messy and a breath of fresh Arctic air.” That’s Commotion’s take on North of North, a new sitcom about small-town life in Nunavut — a subject the show’s creative team knows plenty about. Creators Stacey Aglok MacDonald and Alethea Arnaquq-Baril both hail from the territory, and they previously worked together on The Grizzlies with North of North’s star, Anna Lambe. Still, they’ve never been involved in a project quite like this; as Alethea told CBC News, bringing their TV show to Iqaluit was “like planning to shoot on the moon.” Q has more on the making of the series, plus CBC News has a look inside North of North’s hometown premiere in Iqualuit. (We have our own interview with the showrunners coming soon.) As for how to watch the show, you can find the first two episodes on CBC Gem. North of North will hit Netflix later this year.
 

Because we promised you eye candy ...

 
Four-panel artwork. Surreal in style, it depicts a densely populated landscape being consumed by fiery natural disasters. The scene is full of cars and vehicles packing roadways as they drive past homes and box stores including Canadian Tire and Ikea.

Artwork: Simon Hughes; Photo: Paul Litherland/Blouin Division

Beautiful, terrifying … and all too real right now. Blouin Division in Montreal has extended Simon Hughes’s solo exhibition — The Fire, the Flood and All the Feelings — into February. According to the gallery, this piece (Evacuation #1-4) is meant to evoke “Western Canada or Southern California, regions that have been home to [Simon’s] family.” The works in the show reflect on “environmental chaos” and the “the sense of powerlessness” that’s felt in its wake.
 
Surreal pencil crayon drawing. The canvas is full of a zig zag pattern in dark blue and burgundy. The centre of the composition appears to warp the pattern. Upon closer looking the shape of a house with two windows appears to be camouflaged.

Artwork: Meaghan Hyckie; Photo: Olga Korper Gallery

Peak-15 by Meaghan Hyckie. The piece is appearing at Olga Korper Gallery in Toronto as part of the group show Where We Left Off.
 
Installation view of an art show in a dark gallery. At the back of the room is a large screen. It is surrounded by wooden risers. Marionettes of bats with humanoid bodies are positioned on and around the wooden risers.

Artwork: Gabi Dao; Photo: Blaine Campbell/Unit 17

Throwing it back to 2023, here’s an installation view of Gabi Dao’s What Breaks on the Horizon? at the Southern Alberta Art Gallery in Lethbridge. For those living in southern Ontario (in 2025), here’s an event worth noting: Gabi’s part of an upcoming group show at the Art Gallery of Burlington — Time Isn’t Real. The exhibition opens this week.
 
Photo of a person wearing a body-covering costume made of green grass and ruffled white fabric. They are Black and they look directly at the viewer, with their face partially obscured by the shadows cast by a tree branch heavy with green leaves and white blossoms. They stand against a pale blue wall, next to a pale pink pillar. At their feet is tall grass.

Delali Cofie

Delali Cofie is an artist to watch in 2025 according to the CBC Arts Trend Forecast, and if you’re in downtown Toronto this month, his work will be impossible to ignore. Five of Delali’s photos are appearing on giant screens in Sankofa Square. (This untitled work from 2023 is from his series At the Conjuring of Roots, I Wished to Meet Me ….) The outdoor show is on all January as part of the DesignTO Festival.
 
 

You've got to see this

 
 
 
Two women stand outdoors in the tundra. They lean toward each other in conversation. They both wear parkas with furry collars and winter hats. Snow is on the rocky ground.
Jasper Savage/Netflix

How to make a groundbreaking sitcom

 
North of North co-creators Stacey Aglok MacDonald and Alethea Arnaquq-Baril talk to Q’s Tom Power.
 
Still from The Brutalist. Two white men, seen in profile in a medium shot, embrace in front of a green charter bus. They are dressed in winter fashions from the middle 20th century.
Elevation Pictures

Breaking down The Brutalist

 
Director Brady Corbet discusses the film with CBC Arts critic Radheyan Simonpillai.
 
Close-up photo from Babygirl. A man and woman, seen in closeup, touch heads as though about to kiss. Their eyes are closed.

Elevation Pictures

 

Babygirl revives the erotic thriller for a new generation

 
Director Halina Reijn on bringing “dark hidden fantasies” to the screen after the #MeToo era.
 

Follow this artist

 
 
 
Instagram

Kriss Munsya

@krissmunsya
Photo in saturated colour. A woman appears to float above green grass. Behind her is an industrial plant of some kind. The image is altered so that she appears to hover and robotic orbs are on her hands and feet, connecting to her body with snaking tube-like wires. She is flanked by activist posters including one that reads:

Kriss Munsya

Kriss collaborated with the CBC Creator Network to give us a peek inside Killing Da Vinci, a project that’s taken him to places around the world to photograph Black and Indigenous environmental activists.
 

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And on the subject of catching details, here’s a quick clarification: in last week’s Eye Candy section we ran a photo of Trinket 2 (Gagnonville) by Shanie Tomassini. Shanie is the artist who created the piece; Jean-Michael Seminaro is the photographer who documented the artwork at Patel Brown. In earlier versions of the newsletter, captions with multiple sources haven’t explicitly flagged who’s the artist and who supplied the image.

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I’m Leah Collins, senior writer at CBC Arts. Until next time!

 
XOXO CBC Arts
XOXO CBC Arts
 
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