| Sunday, May 29, 2022 | | | Sunday, May 29, 2022 | | Hi, art lovers! | | In the last few weeks, I’ve spent way too much time thinking about immersive attractions and 360-degree tributes to the all-stars of the museum gift shop, but there’s one question some light listicle research wound up raising for me: how does an artist — one who’s been dead for ages at that — become so famous they’re basically a brand?
Conveniently, this week’s news cycle delivered the answer (plus enough tabs to crash my browser), and it’s all because of a Jean-Michel Basquiat exhibition that recently opened in New York. A question you might have asked yourself, with or without discovering the existence of the Basquiat edition of Uno: why is there such a boom in Basquiat-branded everything, from skateboards to Barbie dolls? This is one short answer. And the artist’s sisters speak at some length about managing his estate in this podcast. But for more expansive thoughts on the subject, here's a long read that explores the commodification of Basquiat. This audio conversation offers another wide-ranging take, and it also takes a few intriguing tangents, including the potential perks of licensing artwork if you’re an artist who’s still very much alive — not that anyone could ever expect to match Basquiat’s record-breaking auction figures or anything. (Related: here’s why art prices are going through the roof.) Beyond Basquiat, art merchandise is apparently a big financial opportunity for both artists and museums. And about the latter, if you’re a sucker for a museum gift shop, have you ever considered how those places actually shape our understanding of art? Whatever your answer, this list will be very bad for your wallet. | | | And because we promised you eye candy ... | | | @hannaleejoshi/Instagram | Ooooooh. Hanna Lee Joshi (last seen here) recently Instagrammed this virtual vase, a collab with Abhishek Dhoj Joshi. Maybe I’m saying this because I spent way too much time reading about artist merch, but I wish it were a real, tangible thing — one that was mass-produced and sold at a reasonable price point for someone on a writer’s salary perhaps. | | | | | @rae_klein/Instagram | Holding and Beholding by Rae Klein. | | | | | @suitbyday/Instagram | A way in which two or more things are alike by Montreal artist François Arès. | | | | | Fever | | | Is this what we waited all pandemic to do again? Entertainment companies are betting on it, Netflix included. | | | | | Jessie Redmond | | | Inside Out is the biggest festival in Canadian LGBTQ cinema. Read essays from five of this year’s featured filmmakers. | | | | | Penguin Random House | | | | And you can start by reading this interview. | | | | @stephanie.temma.hier/Instagram | Born in Toronto and based in Brooklyn, N.Y., Stephanie is on the longlist for the Sobey Art Award. | | | | Share this newsletter | | or subscribe if this was forwarded to you. | | | | | Got questions? Typo catches? Story ideas? | | We're just an email away. Send us a note, and we'll do our best to get back to you.
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I’m Leah Collins, senior writer at CBC Arts. Until next time! | | | | |