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Hi, Art!

Sunday, June 27, 2021

Hi, Art!

Sunday, June 27, 2021

Hi, art lovers!

 
I was reminded of something this week: time has actually been moving forward. TIFF announced that it will return (with some in-person events!) this fall. Joni Mitchell’s Blue is now 50 years old (and being revisited in sprawling interactive features by both CBC Music and the New York Times). And folks we covered just yesterday (or at a time and date that certainly feels that recent) are moving onward and ever upward. Two examples: Siphesihle November (seen here) was made principal dancer at the National Ballet of Canada, and Canisia Lubrin (seen here) won the $65,000 Griffin Poetry Prize. Amazing. And here we are, still learning how to shake off that lockdown malaise. 

Other things to read once your brain fog has lifted: an update on that David Bowie painting discovered in an Ontario landfill (and the small community that’s not too keen on the sudden rush of treasure seekers). Another very different CBC story about a thrift-store painting. Fifty books judged by their covers. The National Gallery of Canada has a new logo, but what does it mean to “decolonize” branding?
 

And because we promised you eye candy ...

 
Photo of an illustrative mural in ice-cream pastels. At centre is a portriat of a frowning long-haired light-skinned woman with bushy black eyebrows. She stares at the viewer. She wears what appears to be a snarling dog's face on an orange chain. An ornate crown encircles green hair. A swan's head cranes upwards behind her.

@doras.creative/Instagram

Here’s a peek at a new piece by Montreal muralist Doras. If you’re in Toronto, you can get a taste of this one in person at the Corleck Building. It’s part of something called Miotas/Myth, a project organized by the Canada Ireland Foundation. They’ve commissioned a bunch of Canadian artists to interpret the titular theme and fill the space with murals and installations. Opening in July, it’s free to see, but registration is required.

 
Photo of a a photo mural by Esmaa Mohamoud installed on the exterior of the Westin Harbour Castle Conference Centre in Toronto, a wide cement building. The mural is a photo of two men of colour facing a blue sky and water. Both are topless and wear long black head scarves that drape down their shoulders, the fabric connecting them both as they gaze over their shoulders to the viewer.

@contactphoto/Instagram

Another one for those in Toronto: remember to look up. The Contact Photography Festival still has outdoor programming installed throughout the city, including this piece by Esmaa Mohamoud. Find it on the side of the Westin Harbour Castle Conference Centre, then follow this map to all the other works.
 
Painting by Zachari Logan. Ornate charcoal plant pot filled with vibrant botanicals against a black background.

@zachari_logan/Instagram

Still life in a ditch by Zachari Logan (seen here). A whole exhibition of Zachari’s work opens at Canada House in London this Monday. 
 
Photo of the exterior of Casa Vicens in Barcelona. The towering building is adorned with a busy mixture of coloured tiles and texture

Airbnb

When it’s safe to travel again, consider staying in Gaudí’s Casa Vicens … for $1.50 a night.
 
 

You've got to see this

 
 
 
Medium close up photo of an Indigenous woman against a grey background. She has chin-length black hair and holds her chin up while looking into the distance. She wears a fur and metal crown and layered chain necklaces made by the artist Morgan Asoyuf.

Courtesy of Morgan Asoyuf/Or Gallery. Photo by Patrick Shannon

 

Crowning Indigenous royalty

Morgan Asoyuf is a multidisciplinary artist from Ts'msyen Nation. She takes you inside the creation of Royal Portrait, a project that honours and supports Indigenous activists.
 
Photo of actor Fuad Ahmed on the red carpet of the Toronto International Film Festival. He is a young man of colour wearing a white tux with black lapels. His short dark hair is sculpted into a sort of pompadour style and he half-grins at the camera. A crowd of movie fans can be seen in the background, gathering behind fencing.
Kevin Winter/Getty Images

‘I had to change my Arabic name to make it as an actor. Now, I’m reclaiming it’

 
He couldn’t get work as Fuad Ahmed, but he did as Gabe Grey. Read his story.
 
Photo of the inside of the Thunder Bay Art Gallery. A corridor with green and white walls lined with framed artwork. Large white wayfinding arrows have been placed on the floor to manage pandemic-era visitors.

Thunder Bay Art Gallery

 

Ontario public galleries demand right to return by Step 2

Feeling “left behind” by the province’s reopening strategy, they’ve launched a campaign asking for greater clarity.
 
 

Follow this artist

 
 
 
Instagram

Yaara Eshet and Aya Rosen

@yaaraeshet @ayarosen
Image of an open sketchbook. Illustrations fill the two pages visible. At left, a seated lemur against a blue background. A dinner is set on his back complete with tablecloth and candleabra. At right, a woman bends over. A tree is visible behind her and her long dark hair falls to the ground, filling the space below her like a rug. Her back is dressed as a dinner table for a dog, and a yellow pooch is perched on top. He looks over the edge, a bowl and bone rest beside him.

@yaaraeshet, @ayarosen/Instagram

Remember the story of Yaara and Aya’s travelling sketchbook from last week? If you’re desperate to see more pages, Instagram’s the best place to find them.
 

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I’m Leah Collins, senior writer at CBC Arts. Until next time!

 
XOXO CBC Arts
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